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Charlie Chan Is Dead 2: At Home in the World (An Anthology of Contemporary Asian American Fiction--Revised and Updated)
by (Editor: Jessica Hagedorn) (Preface: Elaine Kim)
Product Group: Book
Publisher: Penguin (Non-Classics) (2004-02-24)
ISBN: 0142003905
EAN: 9780142003909
Dewy Decimal #: 813.54080895
Paperback: 592 pages
Release Date: 2004-02-24
SKU: N1760
Condition: Good
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Editorial Reviews
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Product Description
More than a decade after its initial publication, the groundbreaking anthology Charlie Chan Is Dead remains the best available source for contemporary Asian American fiction. Edited by acclaimed novelist and National Book Award nominee Jessica Hagedorn, Charlie Chan Is Dead 2: At Home in the World brings together forty-two fresh, fascinating voices in Asian American writing—from classics by Jose Garcia Villa and Wakako Yamauchi to exciting new fiction from Akhil Sharma, Ruth Ozeki, Chang-Rae Lee, Jhumpa Lahiri, and Monique Truong. Sweeping in background and literary style, from pioneering writers to newly emerging voices from the Hmong and Korean communities, these exceptional works celebrate the full spectrum of Asian American experience and identities, transcending stereotypes and revealing the strength and vitality of Asian America today.
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Customer Reviews
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Great Anthology for Classes
Rating  (5)
Date: 2007-09-04
This is a great anthology to teach from: whether you're teaching a creative writing class or a literature class, this has worked very well in my experience. In its variety of styles and forms, and with authors born all across the US and in many countries abroad, this book is truly diverse.
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Asian American Experience Through Literature
Rating  (4)
Date: 2005-10-24
Jessica Hagedorn's second installment of the Asian American experience, CHARLIE CHAN IS DEAD 2: AT HOME WITH THE WORLD comprises of a diverse group of provocative Asian American fictional writers who share their inspiring stories. These writers are third-fifth generation Asian Americans who were either born or immigrated to the United States during the late 1950s and 1960s and lived their formative years during the 1970s and 1980s influenced by American material and popular culture, which is a significance distinction that defines their identity. This factor captures the essence of American and Asian culture, which embodies an eclectic marriage to large proportions. All the writers and their essays have merits of their own. However, it is their storytelling that reveals a shared intimacy and complexity, which forms this shared experience. The subtitle of the book is quite fitting because it best describes "home" within this diaspora of writers.
CHARLIE CHAN IS DEAD 2 is rich with Asian American culture. The dialogue and dialects reveal the various voices and faces, which journey beyond US boundaries. The essays in this collection are graphically detailed with metaphors that relate to religion, family, and Asian cuisine. These writers embrace their culture with the voices they provide for the characters they present. The writers jokingly confront stereotypes and acknowledge and understand that it is a part of their identity. The stories speak of the present but resonate with the past struggles Asian Americans have had to experience in the United States.
The essays in CHARLIE CHAN IS DEAD 2 offer a fresh mix of Asian American voices that may appeal to a younger group of readers preferably at the high school and college level. However, it is not limited to anyone interested in literature of any genre. The most helpful aspect of this volume is its bibliographical listing at the end of the book, which may encourage first-time readers of Asian American literature to read on. On a suggested note: Read Hagedorn's first edition, CHARLIE CHAN IS DEAD: AN ANTHOLOGY OF CONTEMPORARY ASIAN AMERICAN FICTION first in order to understand the progression of the Asian American literature experience.
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Rich and Diverse Collection
Rating (4)
Date: 2005-01-30
1 out of 2 customers found this reveiw helpful
This second volume offers readers an opportunity to follow up on the previous volume, Charlie Chan is Dead (1993). Also edited by Jessica Hagedorn, Charlie Chan is Dead 2: At Home in the World, invites readers to explore newer, perhaps alternative representations of Asian-American experience. Davies' "Hull Case", as one reviewer noted, does not focus on Asian/Asian-American issues but Davies addresses a sobering question pertinent to Asian-American relations: Can one be happily married to a person who may not understand the other person's experience? Marilyn Chin critiques a racist and materialist culture in her two parables, "Parable of the Cake" and "Moon", the latter in which two thoughtless white-male adolescents suffer at the hands of a heavy-set American girl of Chinese descent.
But the more provocative stories, Greenfeld's "Submission", Meera Nair's "Video", and David Wong Louie's "Cold-Hearted", all pursue significant albeit contemporary themes. The volume moves comfortably away from the seminal work begun by Amy Tan, Maxine Hong Kingston, and Jessica Hagedorn, each of them shaping Asian-American literature at a time in which Americans had little knowledge about Asian immigrant experience. In At Home in the World, writers ponder questions concerning family relations and the pain of its limitations, racism among Asians and other ethnicities, and the ways in which US culture shapes and forms sexual identity for immigrants.
Nora Okja Keller's "Beccah" (an excerpt from the novel, Comfort Woman), Akhil Sharma's "Surrounded by Sleep", and Nair's "Video" explore issues of religion and religious practice. Sharma's story subtly suggests that religious practice may suffer after immigration to the US but Sharma avoids heavy-handed commentary and leaves us to draw our own conclusions.
While the second volume is not flawless, for some of the stories reflect more experimentation, I would recommend this volume to readers looking for current voices writing in Asian-American literature. I would also encourage any college student who has taken an Asian-American literature course to consider Charlie Chan is Dead 2 as further work in the field. The introduction by Jessica Hagedorn and the preface by Elaine Kim are worth reading.
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An Excellent Range of Voices and Cultures
Rating (4)
Date: 2004-07-02
6 out of 7 customers found this reveiw helpful
Jessica Hagedorn has put together a mostly impressive collection of short stories and a few novel excerpts written by Asian Americans. From well-known names to lesser known talents, this anthology covers the wide terrain of both stylistic approaches and Asian cultures. Its writers can claim heritages from Vietnam, India, the Philippines, China, Taiwan, Japan, Cambodia, and Korea. Some stories, such as Peter Ho Davies's "The Hull Case," have little, if anything, to do with Asian culture, but most have stronger connections to cultural uniqueness. Sarah Chin's "Red Wall" follows a Chinese-American narrator as she explores the faces of China as the member of a documentary film crew. Bharati Mukherjee, in her well-known and powerful story "The Management of Grief," explores the impact on the Canadian-Indian community of a plane crash in India that kills their loved ones. Ka Vang's "Ms. Pac-Man Ruined My Gang Life" tells of a Hmong member of a girl-gang who is forced by her home-girls to exact revenge on a Puerto Rican girl. Gish Jen's strong "Who's Irish?" is movingly told in broken but lucid English by a Chinese woman who doesn't like the wildness in her half-Irish granddaughter. Some of my favorite writers are included here: Chang-Rae Lee, Ruth Ozeki, Akhil Sharma, Mukherjee, Jhumpa Lahiri, Monique Truong. However, many of these forty-two writers were unknown to me before I read their stories, and I'm grateful Hagedorn introduced me to their work.While some of these stories fall short of succeeding, all are well-written. The range in voices gives the reader a sense of the variety of the cultures and their individual members. I recommend this for readers of international fiction as well as Asian-Americans who long for writers who speak to their culture. This would make an excellent textbook for high school and college level courses that explore non-Western contemporary literature.
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